Today we will learn about shape Drawing language. It shouldn’t appear as a shock, but the information language still applies to heads and facial features. Some artists fall into a trap known as same face syndrome, and I certainly draw very similar faces myself, but if you want to diversify your characters, try using a different form of language. The three principal shapes we will talk about are squares, triangles, and circles. Circles are my favorite method, but characters can use different shapes to represent personality. That can make the characters look more realistic and prevent you from having very similar portraits. We can teach you about school drawing from our website.
Usually, I start with a circle for all of my faces, but I combine different shapes to create a unique profile for a character. Cartoons can push the boundaries of reality. Don’t be afraid to try something new; it could turn out to be a lot better than you think.
Using circles for characters can usually show that they are sweet, innocent, affordable, friendly, etc. The processes can generally give off a warm and inviting feeling and make a character less dangerous when drawing character portraits. There’s also no reason to take shape too literally, as your character’s “circle” shape language can include ovals and other shapes. Rounding the edges of the lines makes the surface more welcoming and friendly.
Circles are typically used for protagonists or for people who are generally “good,” but there are times when you might want to trick viewers into your character. The character could have rounded features and still be an antagonist. Bending the rules can give a character different dimensions and add a level of shock. Innocent-looking villains are a trope that shouldn’t be overused, so be careful when making the villains look sweet.
Squares are also a commonly used shape for protagonists. A square for a character can represent a reliable, muscular, supportive, solid, stable, tall/intimidating, or awkward person. Again, there is no intellect to give your figure consistent rectangles for features in your portraits; give them rounded/tapered squares instead of hard dots. Today posting
As I said before, with the perception of circles, making characters can be dynamic, and there are exceptions to the rules but try to think of this shape the next time you do a character portrait. If you want to create a reliable character or rock the band, consider adding extra square-type features.
Triangles are a shape that is most notoriously associated with villains/antagonists in stories. When using triangles, you can use these features to show someone sharp, dangerous, unpredictable, dynamic, threatening, etc. Using too many points can remove an object or character, so place them carefully and selectively. Additionally, the smaller triangles may seem less threatening, but overdoing them can make a character more threatening. Triangles don’t always have to be associate with someone who is ‘bad’; they can be intellectually sharp, show determination/motivation, or show that a character has a lot of energy.
We are ready to add more emotions to our dear Lucy (yes, that’s her name). Let’s draw after that she receives the news that their school holidays are coming to an end. Again, we’re doing something different, just adding two things: the tears and the new shape of her mouth! Isn’t that amazing ?! Now let’s go back to Tommy and ask him what he thinks about all of this: Note that I have changed its expression by simply following the steps below:
- make one eyebrow lower than the other;
- cut the eyes in half with the lashes;
- add a smile (one side is higher, as the eyebrow);
- move the pupils so that they are under the eyelashes.
And that’s all! We got the desired result with these few changes. Hair, ears, nose, chin, and the circular shape of the eyes are the same! As easy as that!
Not all figures are entirely one-sided. They are complicated and have many different viewpoints, but their portrayal can mainly have a particular form. We will immediately notice the shape of the characters’ faces. It could be angular and thin like a triangle, round and soft like a circle, or broad and robust like a square Shape Drawing Language. However, more features like their nose shape, their pupils, and other features can also make a character more real to people looking at him.
Form language in portraits (Sketch)
These characters use the language of forms to varying degrees because they design with that in mind. Some characters also combine different shapes to make the character look like a person and represent better who they are.
The person on the left has many square / rectangular designs with a few circular elements added, but they are designing with the conventional form in mind. The frame in the middle was created with the circle in mind and had them—the design and a few rectangular elements. The person on the right has mainly a triangular structure at the head and a few more rounded features. However, each character exudes a different feel, and they all have a similar style to the way they were drawing. Each style will be different, but using a general form language will enhance your portraits, especially when designing original characters.
Example of form language with facial features
Lips are a bit more challenging to draw as they are generally rounder, but facial expressions can evoke different emotions. Try to mix or match shapes to evoke other emotions. The ears are another feature that We can easily change. Try rectangular, round, and triangular shapes to see if that works for them Shape Drawing Language. Other facial features that can add more dimension to the characters are horns, flowers, hats, glasses, jewelry, etc. Think about the shapes you use with these additional elements to tailor it to the character you want to portray.
If this post has helped you, please consider liking it and let me know! I hope this helped explain the language of form better and add it to portraits to show a character’s personality Shape Drawing Language. The language of forms helped me understand how to design characters to make them dynamic and easy to understand. An appearance is a powerful tool that artists can use, and I hope others will look more into shape language or implement it.